Recovered
Welcome to Recovered, where Dan and Keith dig into all films remade, rebooted, and redone. They say there are no new stories under the sun, and Hollywood's been taking that as an excuse to tell the same stories over and over since the silent era, so we dig into which movies warranted a remake, which remakes improved on the original, and how very often neither of those things are true.
Recovered
Episode 103: Phantoms & Operas 2: Phantoms, Menaces
And we're back into the Phantoms & Operas sagas, seeing how two distinct film eras take on the Phantom: the auteur era of the 70s, and the slasher horror era of the 80s! In the time when creative vision was king, two Phantoms emerge. Wicked, Wicked attempts a new cinematic technique called DuoVision as a Phantom haunts a mid-range hotel, while Brian De Palma and Paul Williams unite for the rock opera Phantom of the Paradise, blending the Phantom with Faust and a lot of great tunes. But once Andrew Lloyd Webber made the Phantom a Broadway smash, there was only one thing to do: cheap knock-off horror movies! Robert Englund tries to break away from Freddy Krueger in the more book-accurate Phantom of the Opera, while a competing film in the same year goes another way in Phantom of the Mall: Eric's Revenge, both brining the key elements of terror: blood, gore, and... Pauly Shore? Which is the best adaptation? Join us and find out!